Chances are you’ll imagine that you just’ve had a detailed sufficient view of Johannes Ver­meer’s Lady with a Pearl Ear­ring. You’ll have long past to The Hague and noticed the paint­ing in per­son at the Mau­rit­shuis. You’ll have zoomed into the 10 bil­lion-pix­el scan we fea­tured right here on Open Cul­ture in 2021. However should you haven’t frolicked with the new 108 bil­lion-pix­el scan, are you able to genuine­ly declare to have noticed Lady with a Pearl Ear­ring in any respect?

At that 108-gigapix­el res­o­lu­tion, notes Jason Kot­tke, “every pix­el is 1.3 microns in dimension — 1000 microns is 1 mil­lime­ter.” You’ll be able to be informed extra concerning the tech­nol­o­gy at the back of the mission in this mak­ing-of video pro­duced by Hirox Europe, the native department of the Japan­ese dig­i­tal micro­scope com­pa­the big apple respon­si­ble for each the 10 bil­lion-pix­el scan and this 108 bil­lion-pix­el one, which neces­si­tat­ed 88 hours of continuous scan­ning this rel­a­tive­ly small can­vas of 15 inch­es via 17.5 inch­es, a procedure that consequence­ed in 41,000 3-d pictures.

Sure, 3-d pictures: despite the fact that Lady with a Pearl Ear­ring, referred to as “the Mona Lisa of the North,” could also be recognized in all places in flat rep­re­sen­ta­tions on pages, monitors, posters, and T‑shirts, it’s, in any case, a piece of oil on can­vas.

Ver­meer completed his ultra-real­is­tic results no longer simply by hanging the appropriate col­ors in the appropriate puts, however follow­ing them on the proper thick­ness­es and with the appropriate tex­tures — all of which were repli­cat­ed in a “mega-sized” phys­i­cal 3-d print, 100 instances larg­er than the orig­i­nal paintings, com­mis­sioned via the Mau­rit­shuis for its Who’s that Girl? exhi­bi­tion.

You’ll be able to consistent with­shape your individual topo­graph­i­cal examination­i­na­tion of sec­tions of the paint­ing — the eyes, the lips, a fold of the tur­ban, the ear­ring, or even the reflec­tion at the ear­ring — via click on­ing the “3-d” however­ton on the bot­tom of the scan’s view­ing inter­face.  A glance this shut finds a lot about how Ver­meer cre­at­ed this world-famous symbol, in addition to the way it’s weath­ered the previous 360 years. It does no longer disclose, in fact, the solutions to such long-stand­ing mys­ter­ies because the iden­ti­ty of the sub­ject or the moti­va­tions at the back of her strik­ing pre­sen­ta­tion. Whether or not or no longer the woman with the pearl ear­ring even exist­ed, we will, at this level, make sure of 1 factor: she will have to really feel noticed. Input the new 108 bil­lion-pix­el scan here.

by way of Kot­tke

Relat­ed con­tent:

Based totally in Seoul, Col­in Marshall writes and wide­casts on towns, lan­guage, and cul­ture. His initiatives come with the Sub­stack newslet­ter Books on Cities and the ebook The State­much less Town: a Stroll via Twenty first-Cen­tu­ry Los Ange­les. Fol­low him at the social web­paintings for­mer­ly referred to as Twit­ter at @colinmarshall.





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