Behold a Virtual Recovery of 655 Plates of Roses & Lilies by means of Pierre-Joseph Redouté: The Largest Botanical Illustrator of All Time

Pierre-Joseph Red­outé made his identify by means of paint­ing float­ers, an reach­ment impos­si­ble with­out a metic­u­lous­ness that exceeds all bounds of nor­mal­i­ty. He pub­lished his three-vol­ume col­lec­tion Les Ros­es and his eight-vol­ume col­lec­tion Les Lil­i­acées between 1802 and 1824, and a look at their pages nowadays bright­ly sug­gests the painstak­ing nature of each his procedure for now not simply ren­der­ing the ones float­ers, but in addition for see­ing them prop­er­ly within the first position. Whilst Crimson­outé’s works have lengthy been avail­ready loose on-line, the dig­i­tal paperwork during which they’ve been avail­ready haven’t fairly carried out them jus­tice — cer­tain­ly to not the thoughts of design­er and information artist Nicholas Rougeux.

We’ve pre­vi­ous­ly fea­tured Rougeux right here on Open Cul­ture for his on-line restora­tions of a bunch of ven­er­a­ble artis­tic pub­li­ca­tions that lav­ish­ly cap­ture the nat­ur­al international: Illus­tra­tions of the Nat­ur­al Orders of Vegetation; British & Exot­ic Min­er­al­o­gy; A Mono­graph of the Trochilidæ, or Fam­i­ly of Hum­ming-Birds; Werner’s Nomen­cla­ture of Colors; and Euclid­’s Ele­ments. Even hav­ing deep expe­ri­ence with the ones works, Rougeux can declare that, “sim­ply put, Redouté’s illus­tra­tions are stun­ning. His atten­tion to element in stip­pling and water­col­or has earned him the identify ‘the Raphael of Go with the flow­ers’ and is con­sid­ered the nice­est botan­i­cal illus­tra­tor of all time.”

Therefore Rougeux’s deci­sion to below­take a restora­tion of Les Ros­es and Les Lil­i­acées, an “oppor­tu­ni­ty to transform inti­mate­ly famil­iar together with his tech­niques and devel­op a deep­er appre­ci­a­tion for his efforts.” The project finish­ed up call for­ing 11 months, just a few of which have been tak­en up by means of convey­ing the orig­i­nal col­ors again to Crimson­outé’s paint­ings, which “now not handiest depict the phys­i­cal char­ac­ter­is­tics of the ros­es but in addition con­vey their del­i­cate beau­ty and fra­grance.” Rougeux additionally needed to dig­i­tal­ly re-cre­ate the learn­ing expe­ri­ence of those books for the inter­web, cus­tom-design­ing a dig­i­tal gallery for view­ing their ros­es and lilies as they come out in opposition to their new­ly added darkish again­grounds.

Plac­ing all of Crimson­outé’s float­ers in opposition to the ones again­grounds entailed the true Pho­to­store exertions, tak­ing every symbol and “mak­ing the lay­er masks guy­u­al­ly by means of care­ful­ly and sluggish­ly trac­ing alongside each and every edge” — for all 655 plates of Les Ros­es and Les Lil­i­acées, as Rougeux writes in a detailed mak­ing-of blog post. “No mat­ter the com­plex­i­ty, I traced each and every flower, each and every leaf, each and every stem, each and every root, and each and every hair to pre­serve all of the main points and make sure that Redouté’s laborious paintings seemed as just right on a gloomy again­flooring because it did on a mild one.” Trans­lat­ing artwork from one medi­um to anoth­er is usually a excellent­ly effec­tive technique to cul­ti­vate a complete appre­ci­a­tion of the artist’s ability — and on this case, a no much less complete appre­ci­a­tion of his persistence. See the web restora­tion of  Les Ros­es et Les Lil­i­acées here.

Relat­ed con­tent:

The Bio­di­ver­si­ty Her­itage Library Makes 150,000 Prime-Res Illus­tra­tions of the Nat­ur­al Global Unfastened to Down­load

Behold an Inter­ac­tive On-line Edi­tion of Eliz­a­beth Twining’s Illus­tra­tions of the Nat­ur­al Orders of Vegetation (1868)

Ernst Haeckel’s Sub­lime Draw­ings of Flo­ra and Fau­na: The Beau­ti­ful Sci­en­tif­ic Draw­ings That Influ­enced Europe’s Artwork Nou­veau Transfer­ment (1889)

A Lav­ish­ly Illus­trat­ed Cat­a­log of All Hum­ming­fowl Species Recognized within the nineteenth Cen­tu­ry Will get Restored & Put On-line

In 1886, america Gov­ern­ment Com­mis­sioned 7,500 Water­col­or Paint­ings of Each and every Recognized Fruit within the Global: Down­load Them in Prime Res­o­lu­tion

The New Natural: A Mas­ter­piece of Renais­sance Botan­i­cal Illus­tra­tions Will get Repub­lished in a Beau­ti­ful 900-Web page E-book

Based totally in Seoul, Col­in Marshall writes and huge­casts on towns, lan­guage, and cul­ture. His initiatives come with the Sub­stack newslet­ter Books on Cities and the e book The State­much less Town: a Stroll via Twenty first-Cen­tu­ry Los Ange­les. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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